Advanced Search

Journal Navigation

Journal Home

Subscriptions

Archive

Contact Us

Table of Contents

Understanding Representation Jen Webb

Sign In to gain access to subscriptions and/or personal tools.
International Journal of Cultural Studies
This Article
Right arrow Full Text (PDF)
Right arrow References
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Right arrow Citation Map
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Alert me to new issues of the journal
Right arrow Add to Saved Citations
Right arrow Download to citation manager
Right arrowRequest Permissions
Right arrow Request Reprints
Right arrow Add to My Marked Citations
Citing Articles
Right arrow Citing Articles via Google Scholar
Right arrow Citing Articles via Scopus
Google Scholar
Right arrow Articles by Gorman-Murray, A.
Right arrow Search for Related Content
Social Bookmarking
 Add to CiteULike   Add to Complore   Add to Connotea   Add to Del.icio.us   Add to Digg   Add to Reddit   Add to Technorati   Add to Twitter  
What's this?

Queering home or domesticating deviance?

Interrogating gay domesticity through lifestyle television

Andrew Gorman-Murray

Macquarie University, Australia, agormanm{at}els.mq.edu.au

Across the Anglophonic west there is growing mainstream interest in gay men’s domestic sensibilities. This is apparent in the increasing presence of gay men as designers and participants on lifestyle television, especially those programmes concerned with homemaking. In this article, I examine ‘gay domesticity’ through the lens of lifestyle television and related media commentaries, focusing on two Australian shows that included gay male couples as participants: The Block (2003) and The HotHouse (2004). Through comparing the shows, I explore the diverse ways gay men design and create domestic spaces, and how these constructions articulate with or challenge the dominant understanding of home as a heterosexualized family space. I consider the intertwining of the material and the discursive in perceptions of home, and how this emerges through the presence and practices of the gay couples. I find that the attitude to home, interior design and homemaking practices of each couple reflects a different reaction to the dominant image of the nuclear family home, exemplifying a paradox of gay domesticity. While the couple in The Block challenged the hetero-normalization of home through their ideas of home and their renovation efforts, the domestic ideology and design rationale of the couple featured in The HotHouse reinforced this dominant image. I conclude by considering how this paradox might be partially resolved through contemplating the notion of ‘queer’.

Key Words: gay domesticity • gay men • home/domesticity • homemaking shows • lifestyle television

International Journal of Cultural Studies, Vol. 9, No. 2, 227-247 (2006)
DOI: 10.1177/1367877906064032


Add to CiteULike CiteULike   Add to Complore Complore   Add to Connotea Connotea   Add to Del.icio.us Del.icio.us   Add to Digg Digg   Add to Reddit Reddit   Add to Technorati Technorati   Add to Twitter Twitter    What's this?