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Teaching pleasureExperiments in cultural studies and pedagogyThames Valley University, UK, john.parham{at}tvu.ac.uk This article evaluates pedagogical debates on reconciling critical cultural studies with the increasingly vocational demands of students. The approach is experiential and describes teaching `popular pleasure' at the University of East London, UK. Highlighting a reflexive approach whereby students questioned the partialities of cultural studies in light of their own experience and pleasures, the article draws on student assignments to reach two findings: a failure of reflexivity (coursework was conventionally theoretical or uncritically autobiographical); and sharp discrepancies in student satisfaction. Concluding, then, that the vocational—critical split permeates student culture itself, the essay considers how to reconcile these two constituencies — identifying opportunities in both contemporary higher education and cultural theory (for example, proposing students as cultural intermediaries) — before diagnosing remaining obstacles (from cultural studies' failure to discuss popular culture `authentically' to difficulties in drafting assessment criteria for reflexive assignments). It concludes with some recommendations for future courses.
Key Words: authority contextuality critical pedagogy cultural intermediaries cultural studies identity multiplicity popular culture reflexivity vocationalism
International Journal of Cultural Studies, Vol. 5, No. 4,
461-478 (2002) This article has been cited by other articles:
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